Showing posts with label Friday the 13th. Show all posts
Showing posts with label Friday the 13th. Show all posts

03 September 2024

Friday the 13th Reimagined Addendum

Over the course of writing and revising the tetralogy, I came up with background details to better flesh out the universe of Friday the 13th Reimagined. Some of these details were implied in the final scripts, while the rest are being revealed for the first time.

* * *

How the Lenape dagger came into the possession of the Crystal Lake Lenape's been lost to history. Metallurgy was unknown to the Lenape, so they weren't the original fabricators. The Lenape claimed it was gifted to them by the manitowak, the life-spirits of their mythology. Skeptics scoff at this, positing instead that the dagger was of Mesoamerican or possibly even Andean origin and had gradually made its way north to be acquired by the Lenape through trade, though the dagger doesn't closely resemble anything made by the cultures of those regions. The shamans of the tribe used the dagger in their magic ceremonies, both to facilitate good fortune and ward off evil, though its power wasn't absolute, as it failed to protect them from the emissaries of the Dutch West India Company who exterminated them.

After displacing the Lenape, Sjaak van Voorhees made his fortune and became patriarch of one of the first prominent families in the region, possibly using the magic of the stolen dagger to influence his luck. In spite of this material boon, the van Voorhees family would come to be cursed with personal misfortune, with infidelity, illness, violent/premature death, etc. afflicting each of Sjaak's descendants up to the 20th century. In the 18th century, the Voorhees family lost its fortune. By the time of Elias Voorhees' birth, the Voorhees' were just another working class family, their wealth an old memory. The Lenape dagger remained in the family's possession, an heirloom, along with Sjaak's journals, which told of his sins and the dagger's power.

Elias Voorhees, born 1922, and Pamela Voorhees, born 1930, were third cousins. She may not even have yet turned sixteen when he got her pregnant out of wedlock. After finding out, Pamela's parents disowned her and kicked her out of their home. Elias was initially intent on marrying her. However, Pamela gave birth to Jason after only six months pregnant. Although a normal-looking and healthy baby, it became apparent Jason was autistic. Not wanting to be saddled with an intellectually disabled child, Elias left his fiancée and infant son, relocating to a neighbouring county where he took a job as a forest ranger, eventually marrying another woman and fathering a daughter. Following Elias' abandonment, the Christys, a devout Christian family in the ways that matter, took Pamela into their home, helping her raise her disabled son, even giving her a job as camp cook during the summer months. Their son, Steve, was provided as a playmate for Jason. Jason loved Steve dearly, though it's debatable how much Steve reciprocated.

Crystal Lake once had an operating zinc mine. One of the miners was Joshua Sundin, who'd lost his right eye in an accident some years back and taken to wearing an eyepatch. In February 1946, after the zinc deposits were exhausted, the mine was closed and Josh laid off. Seven months passed with Josh failing to find new employment. Having never shied away from domestic abuse, his treatment of wife and child absolutely deteriorated as their savings dwindled, his violent outbursts coming in mounting frequency and ferocity. Finally, in September 13 of that year, he murdered his family in a fit of rage. Immediately remorseful, he chose to commit suicide. Rowing out to the middle of Crystal Lake, he put a chain fastened to a heavy rock about his neck and tossed himself overboard. He successfully drowned, but in his violence and grief, Josh was found to be a perfect vessel for the wrath of the Crystal Lake spirits and they returned him to life. He'd lost his eyepatch in the lake, so coming ashore, he acquired an empty burlap sack, made an eyehole, and put it over his head to conceal his shame. He then snuck away to the abandoned zinc mine, languishing there for two months. Once he reemerged, he attempted to exhume the bodies of his wife and child from their paupers' grave, but was caught in the act and chased off. Incensed, he embarked on a six-day killing spree across town, committing necrophilic acts upon many of his female victims. His rampage came to a close when the police chased him down to an abandoned shack in the woods, where he was gunned down.

Elias eventually learned of Jason's death some months after the drowning. Having harboured guilt for abandoning Pamela and their son, Elias felt time was overdue to make right by her. He told his wife of the family he'd abandoned; she promptly left him, taking their daughter with her. Returning to Crystal Lake, he met with Pamela. Having acquired a small fortune in the intervening years, he offered to give her child support back payments; she rebuffed him, wanting nothing from him and nothing to do with him. Elias was determined to redeem himself. Using the Lenape dagger in tandem with a spirit board, Elias began trying to channel his late son. He was successful in making contact with the collective consciousness of the Crystal Lake spirits. Jason was with them, soul and body. They were willing to return him in exchange for two others; Elias agreed. A year to the day of Jason's drowning, Elias performed the resurrection ritual according to the spirits' instructions. He murdered Barry and Claudette, beheaded them, and tossed the heads into Crystal Lake. Jason's body, which'd spent the past year putrefying at the bottom of Crystal Lake, was reconstituted and sent up to the surface.

Upon being greeted by Jason the night of his resurrection, Pamela saw only a malformed subhuman creature at her doorstep and reacted accordingly. Startled by her screams, Jason fled into the woods. Shortly thereafter, he saw his own reflection and realized why his mother had reacted the way she had. The spirits had taken no care restoring his face, tongue, or vocal cords when they reanimated him. Unable to return home, he spent the next several months living in the woods alone. He never got hungry or thirsty, was unbothered by temperature extremes, and whatever injuries he acquired healed quickly. Though angered by his plight, with the voices of the lake goading him to take his frustrations out on his mother and the locals, both his love for her and the social anxiety from his disfigurement kept him from lashing out. He kept close to home, so he could continue to see Pamela from afar. He was spotted often enough by the townsfolk to become a topic of speculation and gossip, even earning articles in the newspaper. Pamela eventually put two-and-two together and realized this boy-beast was her son. Coaxing him out into the open, she took him back into her home.

Pamela kept Jason homebound to protect him. But Jason began sneaking out, and when he returned, Pamela would sometimes find him stained with blood. Reports of young children going missing and the occasional mangled corpse found in the woods appeared in the paper, and Pamela realized what Jason was getting up to. She began locking Jason in his room for everyone's protection. As Jason grew older, he grew stronger. When he broke his bedroom door down to get out, Pamela began locking him in the basement. Then after Jason broke the solid oak door down, she had a steel door installed. For a time that seemed to do the trick. Then Jason found another means of getting out of the house. Pamela was perplexed, as there was no other door to the basement. Examining the basement, she realized Jason was using the old well as an escape route, worming his way through the dried-up water channel to freedom. Finally she had Jason chained to the floor, and that stopped the breakouts for good. Though afraid of Jason, Pamela continued to love him, and she spent as much time down in the basement with him as she could. Jason could've killed her at any point, but his love for her was so great, even the voices of Crystal Lake, shouting in his head, couldn't coerce him into harming her.

In the years after the 1984 Crystal Lake massacre and Tommy's institutionalization, Trish turned to hard drugs to cope with her trauma, especially heroin. Trish then met Dory, a lesbian who volunteered at a local woman's shelter. After becoming friends, Dory helped Trish get clean. During this process, Trish realized she was bisexual and fell in love with Dory. Trish took to bodybuilding and martial arts as alternate coping mechanisms. She became a bounty hunter out of a drive to pit herself against dangerous men and prove her mettle in combat. Though moments of great stress would cause her to briefly relapse, she managed to quit heroin for good after the events of 1990. She eventually quit bounty hunting, choosing a career as a personal trainer and occasional model. Trish and Dory continued their relationship, eventually becoming a throuple when Dory consented to Trish having a boyfriend.

Sheriff Garris survived. He falsified evidence that Elias had kidnapped Tommy from the hospital and committed Tommy's murders, exonerating Tommy.

Tommy continued to suffer PTSD and depression after being freed of the Crystal Lake death curse. He remembered everything he experienced while under the influence of the spirits, the face of each person he'd killed. He made a number of suicide attempts, but with his family's support, he managed to persevere. He relocated to Springwood, California, where he took a job as a paramedic before eventually becoming a physical therapist.

19 June 2021

Friday the 13th 1990 (A Fragment)

 
I've started writing Friday the 13th 1990, the fourth and final chapter in my Friday the 13th Reimagined Tetralogy.

The three previous entries in my reimagining were mashups/remakes of the original five F13 movies, but F1390 will be a more ambitious undertaking. I'll still be lifting elements from Parts VI-IX and the '09 reboot, but the plot itself will be much more original.

Here're the scenes I've written:

* * *

FADE IN

On the waters of Crystal Lake on a foggy winter day.

SUPERIMPOSE: "CRYSTAL LAKE — DECEMBER 13, 1650"

EXT. LENAPE VILLAGE — DAY

A band of DUTCH SETTLERS are in the process of razing the village. On horseback, they put the wigwams and central longhouse to the torch, driving the LENAPE out of their homes. Villagers out in the open, the Dutchmen bear down on them with swords and firearms, mowing them down. A number of young Lenape men fight back, but their defense is easily quashed.

EXT. LAKE — SHORE — DAY

The setters march the surviving Lenape across the snow at gunpoint. Hands bound, the captives are mostly the very young and very old, with a select few women of childbearing age.

Reaching a set of boulders overlooking the lake, the Dutchmen separate the children and elderly from their comely trophies and herd them up the rocks. The most feeble are tossed directly in the water, but the ones most capable of swimming back to shore are stabbed or have their throats slit first. Red blood stains white snow.

Before long, every one of the undesirables is slain. All except the VILLAGE MATRIARCH. A woman of late middle age, she has long salt-&-pepper hair worn in a thick braid down her back. She has three white chevrons painted on her forehead and cheeks.

The burly, bearded leader of the Dutchmen, SJAAK BEENHOUWER, unsheathes a sabre, resting the blade on the matriarch's neck.

MATRIARCH

(in Unami, subtitled) Kill me, for I cannot die. Do not waver; it is what I command you to do.

BEENHOUWER

(in Dutch, subtitled) Damn you.

Raising the sword, Beenhouwer hacks off the matriarch's head. Almost as if still possessing life and will, the headless matriarch, neck stump jetting bright red blood, casts herself into the lake. Head and body sink beneath the bloodstained water, joining her people in darkness.

FADE OUT

TITLE: FRIDAY THE 13TH 1990

FADE IN

On ominous black clouds rolling across the heavens over deep shadowed forest.

SUPERIMPOSE: "FOREST GREEN — JULY 7, 1990"

EXT. RURAL ROAD — NIGHT

A mangy wild dog feeds on what once a rabbit in the middle of the road. As a white VW Beetle swerves around the bend, the terrified canine runs for its life into the woods.

INT. CAR — NIGHT — TRAVELLING

We are introduced to ELIZABETH MOTT and DARREN ROBINSON, a likeable couple in their mid-twenties. Lizabeth is a cute lady with long auburn hair; Darren a handsome fella with wavy, sandy hair. She steers while he hums and bops his head to the music playing on the radio.

Through the windshield, they spot three hitchhikers standing by a road sign. JANE MCDOWELL is a beautiful young woman with expressive brown eyes and long, curly brown hair. NICK ROGERS is a tall, strapping, extremely handsome man with dark hair and a square jaw. MICHAEL ROGERS isn't quite as hunky as his surnamesake, but he's no slouch in the looks department, either.

Lizabeth pulls over. Cheering, the trio put their belongings in the trunk then cram themselves in the tight back seat.

JANE

Thank you so much. We've been there for an hour.

LIZABETH

Sure.

Lizabeth gets back on the road.

LIZABETH

So, where're we headed?

NICK

We're going to the Voorhees house.

Darren and Lizabeth exchange glances.

DARREN

Oh, yeah? Plannin' on smoking a little dope, having a little premarital sex, and getting slaughtered?

The passengers are taken aback. An uneasy silence settles inside the vehicle.

DARREN

A joke. It's just a joke. (chuckles) It's called Forest Green levity, y'know.

LIZABETH

So, uh, why are you going to the house?

MICHAEL

We're thinking about smoking some dope, (puts arm around Nick) having a little premarital sex, and, uh, not worry about getting slaughtered.

DARREN

(deadpan) Ah, to be young again.

EXT. DRIVEWAY — NIGHT

The Beetle pulls into the mouth of a long driveway. Long disused, vegetation has sprung up along the path. It leads up to a clearing in the forest, wherein is nestled the Voorhees house, unseen in the darkness.

INT. CAR — NIGHT

LIZABETH

Here's where the house is. They're gonna tear it down soon, but for now it's still standing.

MICHAEL

Excellent.

The three climb out.

NICK

Hey, thanks a lot.

EXT. DRIVEWAY — NIGHT

Jane, Nick, and Michael retrieve their bags from the trunk. Lizabeth and Jane exchange waves, then the VW pulls out, leaving the trio behind.

NICK

Let's do it.

They start up the driveway towards the Voorhees house.

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

In the overgrown yard, the trio's erected their tent and built a small fire. The decrepit house looms over them, a dark, judgemental sentinel observing them silently.

Nick strips naked while Jane goes topless. Slipping inside the tent, he beckons his lover to join him.

NICK

Come here.

Holding up a finger for Nick to wait, Michael joins Jane by the fire.

MICHAEL

Um ... do you mind if we use the tent for half an hour?

They share a chuckle.

JANE

No, no, no. Actually, take it for the whole night. I'm gonna sleep out here.

MICHAEL

Yeah?

JANE

Yeah, y'know, it's a beautiful night.

MICHAEL

Are you sure?

JANE

Yeah. Yeah, I'm sure. Go. Go. Go. Go, go, go!

Playfully kicking Michael, Jane drives him into the tent with Nick. She unfurls her sleeping bag as the men get frisky.

Stripping down to her panties, Jane climbs inside her sleeping bag. She finds a comfortable position and gets ready for sleep, but the noise of the men get to her.

PROWLER'S P.O.V. — CAMP SITE

Someone watches the campers through a broken downstairs window.

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

Aroused, Jane slips a hand down her panties. Under the sleeping bag, she starts pleasuring herself to the symphony of gay foreplay.

INT. TENT — NIGHT

In the glow of lanternlight, Michael on top of Nick, the men make-out.

MICHAEL

C'mon, let's do it.

NICK

You think you're ready for Tony the Wonder Llama?

They exchange positions.

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

As Nick and Michael really get going, so does Jane. Moving her legs under the bag, she closes her eyes, biting her lower lip.

With the sound of footsteps through grass, Jane opens her eyes. Standing over her is a man. He wears a gray M-1965 field jacket over a navy blue sweatshirt; dark brown cargo pants and a 1940s Marines utility belt, complete with machete, Explorer Ram-II survival knife, and three throwing knives; black leather gloves; black platform boots; and finally, the goalie mask he inherited from Matt Letter. Jason Voorhees' successor, TOMMY JARVIS.

Jane starts to scream, but Tommy is quick to close her up in her bag, muffling the sound. As Jane squirms inside the bag, Tommy drags her over to a tree. With enormous strength, he whacks Jane against the trunk — one, two, three, four, five, six times.

Dragging the limp, broken body back to the fire, Tommy deposits it on the flames. As it starts burning, he turns his attention to the tent.

INT. TENT — NIGHT

Face-to-face, Nick thrusts into Michael. The two men are on the brink of climax.

Tommy's machete pierces the tent wall, penetrating Nick.

NICK

AAAHHH!!!

Tearing upward, Tommy cuts Nick in half. Blood spurts like a geyser onto Michael.

MICHAEL

(screaming) Jane! Help!

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

With the wet sound of sharp steel chopping into flesh, Michael dies off-screen.

Picking an article of clothing up from the ground, Tommy cleans the blood off his machete before resheathing it.

EXT. ROADSIDE — NIGHT

Beside the VW, Lizabeth stands over Darren, shining a flashlight down as he replaces the flat rear right tire with the spare.

As Darren tightens the bolts with the tire iron, a hunter green '65 Ford F-100 pulls up to them. Headlights burning, the driver steps out.

DARREN

(raises hand) Thanks. Almost through.

LIZABETH

(concerned) Darren, we better go.

DARREN

Why?

LIZABETH

Because I've seen enough horror movies to know any weirdo wearing a mask is never friendly.

Darren looks closer at the Ford owner. It's Tommy, goalie mask and all. Reaching inside the Beetle, Darren opens the glove compartment; he pulls out a .22 revolver.

LIZABETH

(shocked) Where'd you get that‽

DARREN

Don't worry about it. Just stay cool.

Darren aims the gun at Tommy.

DARREN

Alright, scumbag. Get back in your truck and out of here. Now.

Tommy starts towards them. Darren opens fire. Shrugging off the bullet, Tommy grabs the tire iron. Swinging it, he shatters Darren's jaw.

LIZABETH

AAAHHH!!!

As Darren collapses, blood running from his ruined face, Lizabeth turns and starts running as fast as her feet can carry her up the road. Tommy throws the tire iron like a shuriken. Spinning through the air, it strikes the back of Lizabeth's head with enough force to kill her instantly.

Tommy looks down at Darren, who's on his stomach crying. Raising his foot, Tommy brings it down on Darren's head, crushing it like a ripe melon.

22 May 2021

Friday the 13th 1984 (A Fragment)


I've started writing the first draft of Friday the 13th 1984, the second chapter in my Friday the 13th Reimagined Tetralogy.

Just as F1380 was essentially a mashup of Parts I & II, the plan is for F1384 to be a mashup of Parts III & IV. Exactly how I'm going to go about mashing them up is a question yet unanswered. But I have completed the opening prologue, which is set immediately after F1380. Here it is, provided for your reading enjoyment.

* * *

FADE IN

On Camp Crystal Lake.

SUPERIMPOSE: "CAMP CRYSTAL LAKE — JUNE 15, 1980"

EXT. CAMP CRYSTAL LAKE — CAMPGROUNDS — DAY

Three ambulances and four police cars are parked around the main cabin area. All concerned are busy retrieving the victims of Jason and Pamela Voorhees.

EXT. CAMP CRYSTAL LAKE — MAIN CABIN AREA — DAY

A fourth ambulance travels down the road into the camp. It's stopped by one of the cops. Inside are two paramedics, VINCENT, and the driver, LAINIE. Vincent rolls down his window to talk to the officer.

VINCENT

What do you need? Where do you need it?

OFFICER

We got five of them. (points) Yours is at the boys' cabin.

VINCENT

What's wrong with them?

OFFICER

He's dead. (beat) Yeah, they're all dead. You can pull it up over there.

VINCENT

(to Lainie) All dead. Some emergency. (beat) Put her over there.

The ambulance makes it way toward the boys' cabin.

EXT. CAMP CRYSTAL LAKE — BOYS' CABIN — DAY

Vincent and Lainie load the body of SHELLY GREENBLATT, throat slit ear-to-ear, onto a stretcher. Vincent makes conversation with SERGEANT TIERNEY.

VINCENT

You catch the guy who left the wet stuff?

Tierney shakes his head.

Draping a sheet over Shelly's body and belting it in, the paramedics load it inside the ambulance. 

EXT. CAMP CRYSTAL LAKE — CAMPGROUNDS — DAY

The cadavers retrieved, all the vehicles pack it in. They make their way down the driveway out to the main road. 

Camp Crystal Lake is now quiet, peaceful, and serene.

EXT. RURAL ROAD — DAY

Tierney lags behind the other vehicles, keeping a respectful distance between himself and them.

INT. POLICE CAR — DAY — TRAVELLING

Tierney sees a man in green-&-tan dash across the road, slipping into the brush on the other side.

EXT. RURAL ROAD — DAY

Breaking, Tierney gets out of the car.

SGT. TIERNEY

Hey! Hey, you!

The sergeant takes off after him.

EXT. FOREST — DAY

Tierney pursues the man through the woods. Out of shape, the cop stumbles and stops, struggling to keep up with his vigorous quarry.

EXT. VOORHEES HOUSE — DAY

Tierney eventually emerges from the trees. He finds himself on the property of Pamela Voorhees. There is no sign of the man he was chasing.

Walking around to the front door of the house, the officer finds it ajar.

INT. VOORHEES HOUSE/ENTRANCE HALL — DAY

Tierney steps through the door. Carefully, he creeps his way inside.

INT. VOORHEES HOUSE/DINING ROOM — DAY

Tierney finds the tell-tale signs of recent violence. Lengths of sliced rope about a chair; a rifle discarded on the floor; pools and trails of blood which've attracted flies. Only the birthday cake atop the dining table, untouched, remains pristine.

He unholsters his revolver.

INT. VOORHEES HOUSE/STAIRWELL — DAY

Tierney climbs the stairs.

INT. VOORHEES HOUSE/2ND STOREY HALLWAY — DAY

Tierney makes his way across the hall, checking each of the rooms, wary of his prey.

INT. VOORHEES HOUSE/PAMELA VOORHEES' BEDROOM — DAY

Entering the bedroom, the sergeant is greeted by a most horrendous sight. A dresser, serving as an impromptu altar, bears the severed head of PAMELA VOORHEES, dried blood caking her mouth and nose. At the foot of the dresser has been deposited the drowned body of ALICE HARDY, tongue protruding from her slack mouth. While decay hasn't quite set in yet, head and body are already starting to attract flies.

Unbeknownst to Tierney, the man he chased here has crept up behind him.

SGT. TIERNEY

Oh my God….

Raising a claw hammer, JASON VOORHEES drives it into the back of Tierney's skull.

FADE OUT

TITLE: FRIDAY THE 13TH 1984

27 January 2021

Friday the 13th Reimagined


A project I've long wanted to tackle is a reimagining of Friday the 13th. As a teen, I was a big fan of the series, particularly of the first five entries. As I grew older, I came to realize the series … wasn't good. The original is very likely the best, and it's still only a cynical cash-grab designed to capitalize off the success of Halloween. Still, I believe the bones of a good horror story are present beneath the fat.

My reimagining of F13 would be a tetralogy, a period piece spanning the '80s. Right from the start, Jason Voorhees would be established as a supernatural being, having drowned as a child in 1957 then returned to life a year later, corrupted into a psychopathic killing machine with enhanced strength/regenerative capabilities by a dark force living within Crystal Lake. Jason would be the primary antagonist for the first half of the series, then he'd be killed and replaced by Tommy Jarvis, who'd become possessed by the evil which inhabited Jason.

Friday the 13th 1980

Set in 11-14 June, 1980. A mashup of Parts I & II with a few elements from III, greater emphasis would be placed on characterization, particularly Alice’s, who'd be revealed as a single mother who abandoned her 3-year-old daughter to the care of her parents to start her life over. The primary antagonist would be Jason. Crippled by social anxiety, Jason would be incapable of assaulting anyone able to see his face, restricting him to stalking and sneak attacks. Only after obtaining his iconic goalie mask would he become the aggressive predator we're most familiar with. The secondary antagonist would be his mother, Pamela. She kept Jason in isolation since his resurrection, doing her best to protect him and others from him to diminishing returns. The film would finish with Alice setting fire to Jason and the Voorhees home, Pamela’s decapitation, and a depressing twist ending.

Friday the 13th 1984

Set in/around 13 April, 1984. A mashup of Parts III & IV. Rob would be reimagined as Alice's brother.

Friday the 13th 1985

Set in/around 13 September, 1985. A more-or-less faithful remake of A New Beginning. Most of the patients at Pinehearst would be deaged, including Tommy, who'd only be a year older than he was in the preceeding chapter. There'd be more scenes focused on Tommy, his mental deterioration, and his growing rapport with Pam. Roy wouldn't be the killer, but rather the director of Pinehearst, Matthew, who'd be revealed at the end as a sadistic psychopath who'd abused a number of kids in his care and had decided to advance to serial murder, using Tommy's past with Jason as a cover for his crimes.

Friday the 13th 1989

Set in/around 13 October, 1989. Tommy, now fully possessed by the evil he inherited from Jason, would return to Crystal Lake, renamed Forest Green in the years after the murders. Pursuing him would be his sister, Trish, who'd be desperate to find him and free him of Jason’s curse. She'd meet Elias Voorhees, Jason’s father, who'd reveal the truth of Crystal Lake to her, of the evil within the lake which corrupted Jason and moved into Tommy following Jason’s final death. He'd offer her the key to freeing Tommy, but there'd be an ulterior motive for his help; he'd believe Jason’s spirit lives on in Tommy, ready to return to his original body, which Elias secretly saved from cremation and had buried in a secret plot….