19 June 2021

Friday the 13th 1990 (A Fragment)

 
I've started writing Friday the 13th 1990, the fourth and final chapter in my Friday the 13th Reimagined Tetralogy.

The three previous entries in my reimagining were mashups/remakes of the original five F13 movies, but F1390 will be a more ambitious undertaking. I'll still be lifting elements from Parts VI-IX and the '09 reboot, but the plot itself will be much more original.

Here're the scenes I've written:

* * *

FADE IN

On the waters of Crystal Lake on a foggy winter day.

SUPERIMPOSE: "CRYSTAL LAKE — DECEMBER 13, 1650"

EXT. LENAPE VILLAGE — DAY

A band of DUTCH SETTLERS are in the process of razing the village. On horseback, they put the wigwams and central longhouse to the torch, driving the LENAPE out of their homes. Villagers out in the open, the Dutchmen bear down on them with swords and firearms, mowing them down. A number of young Lenape men fight back, but their defense is easily quashed.

EXT. LAKE — SHORE — DAY

The setters march the surviving Lenape across the snow at gunpoint. Hands bound, the captives are mostly the very young and very old, with a select few women of childbearing age.

Reaching a set of boulders overlooking the lake, the Dutchmen separate the children and elderly from their comely trophies and herd them up the rocks. The most feeble are tossed directly in the water, but the ones most capable of swimming back to shore are stabbed or have their throats slit first. Red blood stains white snow.

Before long, every one of the undesirables is slain. All except the VILLAGE MATRIARCH. A woman of late middle age, she has long salt-&-pepper hair worn in a thick braid down her back. She has three white chevrons painted on her forehead and cheeks.

The burly, bearded leader of the Dutchmen, SJAAK BEENHOUWER, unsheathes a sabre, resting the blade on the matriarch's neck.

MATRIARCH

(in Unami, subtitled) Kill me, for I cannot die. Do not waver; it is what I command you to do.

BEENHOUWER

(in Dutch, subtitled) Damn you.

Raising the sword, Beenhouwer hacks off the matriarch's head. Almost as if still possessing life and will, the headless matriarch, neck stump jetting bright red blood, casts herself into the lake. Head and body sink beneath the bloodstained water, joining her people in darkness.

FADE OUT

TITLE: FRIDAY THE 13TH 1990

FADE IN

On ominous black clouds rolling across the heavens over deep shadowed forest.

SUPERIMPOSE: "FOREST GREEN — JULY 7, 1990"

EXT. RURAL ROAD — NIGHT

A mangy wild dog feeds on what once a rabbit in the middle of the road. As a white VW Beetle swerves around the bend, the terrified canine runs for its life into the woods.

INT. CAR — NIGHT — TRAVELLING

We are introduced to ELIZABETH MOTT and DARREN ROBINSON, a likeable couple in their mid-twenties. Lizabeth is a cute lady with long auburn hair; Darren a handsome fella with wavy, sandy hair. She steers while he hums and bops his head to the music playing on the radio.

Through the windshield, they spot three hitchhikers standing by a road sign. JANE MCDOWELL is a beautiful young woman with expressive brown eyes and long, curly brown hair. NICK ROGERS is a tall, strapping, extremely handsome man with dark hair and a square jaw. MICHAEL ROGERS isn't quite as hunky as his surnamesake, but he's no slouch in the looks department, either.

Lizabeth pulls over. Cheering, the trio put their belongings in the trunk then cram themselves in the tight back seat.

JANE

Thank you so much. We've been there for an hour.

LIZABETH

Sure.

Lizabeth gets back on the road.

LIZABETH

So, where're we headed?

NICK

We're going to the Voorhees house.

Darren and Lizabeth exchange glances.

DARREN

Oh, yeah? Plannin' on smoking a little dope, having a little premarital sex, and getting slaughtered?

The passengers are taken aback. An uneasy silence settles inside the vehicle.

DARREN

A joke. It's just a joke. (chuckles) It's called Forest Green levity, y'know.

LIZABETH

So, uh, why are you going to the house?

MICHAEL

We're thinking about smoking some dope, (puts arm around Nick) having a little premarital sex, and, uh, not worry about getting slaughtered.

DARREN

(deadpan) Ah, to be young again.

EXT. DRIVEWAY — NIGHT

The Beetle pulls into the mouth of a long driveway. Long disused, vegetation has sprung up along the path. It leads up to a clearing in the forest, wherein is nestled the Voorhees house, unseen in the darkness.

INT. CAR — NIGHT

LIZABETH

Here's where the house is. They're gonna tear it down soon, but for now it's still standing.

MICHAEL

Excellent.

The three climb out.

NICK

Hey, thanks a lot.

EXT. DRIVEWAY — NIGHT

Jane, Nick, and Michael retrieve their bags from the trunk. Lizabeth and Jane exchange waves, then the VW pulls out, leaving the trio behind.

NICK

Let's do it.

They start up the driveway towards the Voorhees house.

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

In the overgrown yard, the trio's erected their tent and built a small fire. The decrepit house looms over them, a dark, judgemental sentinel observing them silently.

Nick strips naked while Jane goes topless. Slipping inside the tent, he beckons his lover to join him.

NICK

Come here.

Holding up a finger for Nick to wait, Michael joins Jane by the fire.

MICHAEL

Um ... do you mind if we use the tent for half an hour?

They share a chuckle.

JANE

No, no, no. Actually, take it for the whole night. I'm gonna sleep out here.

MICHAEL

Yeah?

JANE

Yeah, y'know, it's a beautiful night.

MICHAEL

Are you sure?

JANE

Yeah. Yeah, I'm sure. Go. Go. Go. Go, go, go!

Playfully kicking Michael, Jane drives him into the tent with Nick. She unfurls her sleeping bag as the men get frisky.

Stripping down to her panties, Jane climbs inside her sleeping bag. She finds a comfortable position and gets ready for sleep, but the noise of the men get to her.

PROWLER'S P.O.V. — CAMP SITE

Someone watches the campers through a broken downstairs window.

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

Aroused, Jane slips a hand down her panties. Under the sleeping bag, she starts pleasuring herself to the symphony of gay foreplay.

INT. TENT — NIGHT

In the glow of lanternlight, Michael on top of Nick, the men make-out.

MICHAEL

C'mon, let's do it.

NICK

You think you're ready for Tony the Wonder Llama?

They exchange positions.

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

As Nick and Michael really get going, so does Jane. Moving her legs under the bag, she closes her eyes, biting her lower lip.

With the sound of footsteps through grass, Jane opens her eyes. Standing over her is a man. He wears a gray M-1965 field jacket over a navy blue sweatshirt; dark brown cargo pants and a 1940s Marines utility belt, complete with machete, Explorer Ram-II survival knife, and three throwing knives; black leather gloves; black platform boots; and finally, the goalie mask he inherited from Matt Letter. Jason Voorhees' successor, TOMMY JARVIS.

Jane starts to scream, but Tommy is quick to close her up in her bag, muffling the sound. As Jane squirms inside the bag, Tommy drags her over to a tree. With enormous strength, he whacks Jane against the trunk — one, two, three, four, five, six times.

Dragging the limp, broken body back to the fire, Tommy deposits it on the flames. As it starts burning, he turns his attention to the tent.

INT. TENT — NIGHT

Face-to-face, Nick thrusts into Michael. The two men are on the brink of climax.

Tommy's machete pierces the tent wall, penetrating Nick.

NICK

AAAHHH!!!

Tearing upward, Tommy cuts Nick in half. Blood spurts like a geyser onto Michael.

MICHAEL

(screaming) Jane! Help!

EXT. VOORHEES HOUSE/FRONT YARD — NIGHT

With the wet sound of sharp steel chopping into flesh, Michael dies off-screen.

Picking an article of clothing up from the ground, Tommy cleans the blood off his machete before resheathing it.

EXT. ROADSIDE — NIGHT

Beside the VW, Lizabeth stands over Darren, shining a flashlight down as he replaces the flat rear right tire with the spare.

As Darren tightens the bolts with the tire iron, a hunter green '65 Ford F-100 pulls up to them. Headlights burning, the driver steps out.

DARREN

(raises hand) Thanks. Almost through.

LIZABETH

(concerned) Darren, we better go.

DARREN

Why?

LIZABETH

Because I've seen enough horror movies to know any weirdo wearing a mask is never friendly.

Darren looks closer at the Ford owner. It's Tommy, goalie mask and all. Reaching inside the Beetle, Darren opens the glove compartment; he pulls out a .22 revolver.

LIZABETH

(shocked) Where'd you get that‽

DARREN

Don't worry about it. Just stay cool.

Darren aims the gun at Tommy.

DARREN

Alright, scumbag. Get back in your truck and out of here. Now.

Tommy starts towards them. Darren opens fire. Shrugging off the bullet, Tommy grabs the tire iron. Swinging it, he shatters Darren's jaw.

LIZABETH

AAAHHH!!!

As Darren collapses, blood running from his ruined face, Lizabeth turns and starts running as fast as her feet can carry her up the road. Tommy throws the tire iron like a shuriken. Spinning through the air, it strikes the back of Lizabeth's head with enough force to kill her instantly.

Tommy looks down at Darren, who's on his stomach crying. Raising his foot, Tommy brings it down on Darren's head, crushing it like a ripe melon.

22 May 2021

Friday the 13th 1984 (A Fragment)


I've started writing the first draft of Friday the 13th 1984, the second chapter in my Friday the 13th Reimagined Tetralogy.

Just as F1380 was essentially a mashup of Parts I & II, the plan is for F1384 to be a mashup of Parts III & IV. Exactly how I'm going to go about mashing them up is a question yet unanswered. But I have completed the opening prologue, which is set immediately after F1380. Here it is, provided for your reading enjoyment.

* * *

FADE IN

On Camp Crystal Lake.

SUPERIMPOSE: "CAMP CRYSTAL LAKE — JUNE 15, 1980"

EXT. CAMP CRYSTAL LAKE — CAMPGROUNDS — DAY

Three ambulances and four police cars are parked around the main cabin area. All concerned are busy retrieving the victims of Jason and Pamela Voorhees.

EXT. CAMP CRYSTAL LAKE — MAIN CABIN AREA — DAY

A fourth ambulance travels down the road into the camp. It's stopped by one of the cops. Inside are two paramedics, VINCENT, and the driver, LAINIE. Vincent rolls down his window to talk to the officer.

VINCENT

What do you need? Where do you need it?

OFFICER

We got five of them. (points) Yours is at the boys' cabin.

VINCENT

What's wrong with them?

OFFICER

He's dead. (beat) Yeah, they're all dead. You can pull it up over there.

VINCENT

(to Lainie) All dead. Some emergency. (beat) Put her over there.

The ambulance makes it way toward the boys' cabin.

EXT. CAMP CRYSTAL LAKE — BOYS' CABIN — DAY

Vincent and Lainie load the body of SHELLY GREENBLATT, throat slit ear-to-ear, onto a stretcher. Vincent makes conversation with SERGEANT TIERNEY.

VINCENT

You catch the guy who left the wet stuff?

Tierney shakes his head.

Draping a sheet over Shelly's body and belting it in, the paramedics load it inside the ambulance. 

EXT. CAMP CRYSTAL LAKE — CAMPGROUNDS — DAY

The cadavers retrieved, all the vehicles pack it in. They make their way down the driveway out to the main road. 

Camp Crystal Lake is now quiet, peaceful, and serene.

EXT. RURAL ROAD — DAY

Tierney lags behind the other vehicles, keeping a respectful distance between himself and them.

INT. POLICE CAR — DAY — TRAVELLING

Tierney sees a man in green-&-tan dash across the road, slipping into the brush on the other side.

EXT. RURAL ROAD — DAY

Breaking, Tierney gets out of the car.

SGT. TIERNEY

Hey! Hey, you!

The sergeant takes off after him.

EXT. FOREST — DAY

Tierney pursues the man through the woods. Out of shape, the cop stumbles and stops, struggling to keep up with his vigorous quarry.

EXT. VOORHEES HOUSE — DAY

Tierney eventually emerges from the trees. He finds himself on the property of Pamela Voorhees. There is no sign of the man he was chasing.

Walking around to the front door of the house, the officer finds it ajar.

INT. VOORHEES HOUSE/ENTRANCE HALL — DAY

Tierney steps through the door. Carefully, he creeps his way inside.

INT. VOORHEES HOUSE/DINING ROOM — DAY

Tierney finds the tell-tale signs of recent violence. Lengths of sliced rope about a chair; a rifle discarded on the floor; pools and trails of blood which've attracted flies. Only the birthday cake atop the dining table, untouched, remains pristine.

He unholsters his revolver.

INT. VOORHEES HOUSE/STAIRWELL — DAY

Tierney climbs the stairs.

INT. VOORHEES HOUSE/2ND STOREY HALLWAY — DAY

Tierney makes his way across the hall, checking each of the rooms, wary of his prey.

INT. VOORHEES HOUSE/PAMELA VOORHEES' BEDROOM — DAY

Entering the bedroom, the sergeant is greeted by a most horrendous sight. A dresser, serving as an impromptu altar, bears the severed head of PAMELA VOORHEES, dried blood caking her mouth and nose. At the foot of the dresser has been deposited the drowned body of ALICE HARDY, tongue protruding from her slack mouth. While decay hasn't quite set in yet, head and body are already starting to attract flies.

Unbeknownst to Tierney, the man he chased here has crept up behind him.

SGT. TIERNEY

Oh my God….

Raising a claw hammer, JASON VOORHEES drives it into the back of Tierney's skull.

FADE OUT

TITLE: FRIDAY THE 13TH 1984

09 March 2021

Stargate Reimagined


Stargate '94 has amazing costumes, sets, music, and lore, but weak writing and characterization. Stargate SG-1 has decent characterization and writing, but it feels like a Trek knockoff, complete with generic English-speaking extraterrestrial civilizations and technobabble. My ultimate dream is to craft a Stargate reboot which contains all the best elements of SG '94, SG-1, SGU, and the Bill McCay tie-in novels, with none of their worst.

I completed an SG '94 rewrite in 2016:


Written at the height of my postmodern phase, it’s a pretty thorough deconstruction of the original film (American imperialism doesn’t save the day; it gets an entire world killed.). It was meant to be the first part of a trilogy, but shortly after starting on the sequel, development stalled; a casualty of the burnout I suffered while working on my Star Wars Prequel Trilogy rewrite at the time.

I never completely abandoned the project. I continued to brainstorm, write notes, etc. to lay the foundation for my personal Stargate universe.

  • Ra is Atum. I made this change because Atum is an older god than Ra, was worshipped earlier than Ra, and also because the pharaonic Ra of Stargate more closely resembles Atum than the hawk-headed Ra of myth.
  • Atum isn’t a Goa’uld. He's one of the Ancients, who in this universe were amoral gray-skinned reptilian humanoids who reigned in the Andromeda/Triangulum galaxies prior to their extinction. The Goa’uld are a separate, unrelated species native to the Milky Way who were conquered by Atum’s underlords some 5000 years after the Rebellion on Earth.
  • Atum has a minimum of fourteen underlords under him: Anpu (Anubis); Apis; Aset (Isis); Ausir (Osiris); Djehuti (Thoth); Hapi; Heru (Horus); Hut-Hor (Hathor); Khnum; Nekhbet; Ptah; Sebek; Sekhmet; and Wadjet. Each underlord serves a different function in maintaining the Imperium. When an underlord dies/abdicates/is ousted, their first prime takes their place, assuming their name and position.
  • Atum was originally a benevolent ruler. After 2000 years of rule, ennui drove him to relegate command of the Imperium to his underlords and go into seclusion. His underlords then turned the Imperium to a totalitarian state, inciting the failed Rebellions on Nubt and Abdju and the successful Rebellion on Earth. With the passage of 10,000 years and countless civil wars and regime changes, the Imperium has fragmented and ossilated between authoritarian and liberal governments.
  • The Goa’uld were genetically modified by Khnum to curtail their ability to reproduce and take hosts. Only a single fertile queen exists, and its offspring are incapable of growing to maturity. These neutered Goa’uld, known as "primtah", are placed within underlords and first primes, boosting their immune systems, resilency, and lifespans.
  • The Imperium consists of several hundred worlds concentrated within the Milky Way. Most are inhabited by humans and genetically engineered human offshoots, all descendants of peoples taken from North Africa in 10,000-8000 BCE.
  • A small number of non-human species joined the Imperium. The most notable of these was the Setim. A caninoid race native to Tuat, they agreed to provide Atum the technological infrastructure to build his empire in exchange for help repairing their planet’s damaged ecosystem. This arrangement was mutually beneficial at first, but following the underlords’ rise to power, the Setim were displaced from positions of influence and forcibly relocated to the ice planet Nubt. With the Rebellion on Nubt, the Setim were exterminated by Sekhmet. Disgusted by this and other atrocities committed by the Imperium, one of the first primes, Sutekh, went renegade. Wearing a helm fashioned after the Setim likeness, he established a revolutionary movement across the Imperium, culminating in the Rebellion on Earth.
  • The Apep are a species of giant tentacled serpents, former enemy of the Ancients, present enemy of the Imperium. They aren't nice guys.
  • Heru Guards wear retractable, full-body power armour; this armour is impervious to any terrestrial ordnance short of .50 caliber machine guns. Heru Guards are armed with over/under pulse rifles; the primary barrel discharges a plasma blast which can kill, the secondary barrel discharges an electrolaser which only stuns.
  • The staff weapon is a ceremonial weapon wielded by Nekhbet Guards alone.
  • The zat gun is a sidearm primarily carried by Wadjet Guards. One shot from a zat causes debilitating pain; two shots renders one unconscious; three shots are usually fatal.
  • The Imperium has developed lingual nanites. Injected within the language areas of the brain, they link the individual to a vast language database, enabling them to understand/speak/read/write any language stored within the database while also uploading any languages they know to the database. Daniel Jackson was injected with these nanites after being captured by Sekhmet’s forces during the Abdju Mission. Following Daniel’s return to Earth, some of these nanites were extracted and replicated, giving the SGC access to this technology.
  • FTL propulsion/communicators don’t exist. Conventional interstellar travel/communication is only possible through the stargate/supergate networks. Atum’s intergalactic voyage from his homeworld to Earth took 2.5 million years.
  • Stargate addresses consist of nine symbols each. Each address corresponds to an individual gate.
  • All stargates are semitranslucent black, with chevrons/engravings which glow white when active.
  • Stargate/supergate travel is two-way.
  • Apep stargates are simpler in design than Ancient stargates, triangular in shape, with no moving parts. Though utilizing the same wormhole physics, Ancient and Apep stargates aren't compatible without the application of an adapter.

02 February 2021

The Other Side

One of eleven surviving short stories/novellas I wrote in a roughly five-year period (2004-2008).

This was written c. 2010 — a rewrite of a story I wrote in the fall of 2004. The original was typewritten, the last story I ever wrote on a typewriter, and is now lost. I was proud of that original. But if this version's anything to go by, there's nothing there to be proud of. Just pages upon pages of hackneyed hackwork.

* * *

I should had never gone to check out that decrepit building. But I had never suspected the existance of what had lain there within its walls. Never suspected the existance of an evil which had inhabited the place since the nineteen-fourties.

It all began when my father got a new job located in Maine. Unable to coap with the idea of the family being seperated, my mother wanted to pack up the family and relocate to a location close to his anticipated job site. Over a period of a number of weeks, my parents struck a deal with a Raymond Bradley to buy his on sale home on Forman Road, Maine for an even five thousand dollars. After all the paperwork went through, all was final; with some mela-ncholy, we journeyed from Pittsburg to a quiet suburbia in a completely unfamilar part of the country.

"So," my sister, Audrey, asked my father as we made the long approach to our new house in my mother's Olds-mobile Delta Royale, "what's this place like? It isn't a dump, is it?"

My father uttered a short laugh as she said that. "No, it isn't a dump. It was built in 1984, so its relatively new. The house is in good condition."

"Was anybody killed there?" I asked, a slight smirk upon my face.

"Nobody was killed in thisat house," he answered, amused not at all by the macabre question. "The house has no history whatsoever."

We soon arrived at the house. There was nothing spectacular about the building. It was a small, two-story home with blue-and-white paint smeared over its walls; this horrid paint job had been done apparently to convey an aura of cheerfulness, but those who had performed it had failed in their vision.

"We're here!" father exclaimed. He maneuvered the Oldsmobile up the driveway, stopping at the house and shifting the gear into PARK.

We all unfastened our seatbelts, opened the doors and climbed out. As my feet first touched this foreign soil, I immediatly noticed the house across from us, on the other side of the street. As soon as my eyes took in the details of the building, I was left in awe. It was over a century old, a large mansion, six stories tall with an abundance in windows. The dwelling had browned with age, and obviously in bad disrepair; the wood walls were worm-eaten and crumbling, with weathered boards nailed over the front door and window panes.

"We should have moved in there," I said, half-joking, pointing over at the foreboding house. "At least that place looks interesting."

My father looked over across the street at the house, then back at me. "That house was abandoned back in the fourties. Its condemned, and we couldn't buy it even if we wanted to."

At that, we went to place our first steps within our new, badly-painted little home.


Later that night, I sat at our large oak dinner table with my parents and sister as we had our supper, a dish consisting of mashed potatoes and spinach.

"How's dinner, Edward?" mother asked me, looking up from her plate.

"Fine," I replied. Unlike typical children, I found spinach not all that bad.

"Good," she replied, resuming her consumption of her potatoes and spinach.

"Hey Dad," I then proclaimed, looking to him.

"Yes, Ed?"

"Do you know the story behind the house across the street?" I inquired. "What's up with it?"

My father went silent. "Are you sure you want to know?" he asked after a moment passed.

"Why wouldn't I?" I asked. "I would like to know why the house is abandoned."

Father was forlorn for a moment, but then agreed to tell the story about the house.

"Well, back in 1896 a man named Efimovich Velikovsky immigrated here to the States from Russia. He had been a very rich man back in his homeland, and had used his money to build a mansion here on Forman Road. From what Mr. Bradley told me, the house supposedly looked very beautiful after it was finished.

"Nothing eventful happened over the next eight years. Velikovsky seemed to be any ordinary man, friendly to those around him, though he spent most of his time locked up in his house. But then one day he disappeared. He, and all the servants who had been living there. The police eventually launched an investigation, but nothing was found. "They never found evidence of any foul play."

"What happened," I asked. "If they were'nt kidnapped or killed or anything, what happened to him and his servants?"

"No one really knows," my father explained. "He might have moved to another town or state, or even back to Russia. But no trace of him could be found anywhere. Since he had no known relatives and never left a will, the city took possession of the mansion. They put it up for sale, [?]but no one had ever expressed intrest in buying the place. After a long number of years had passed they gave up the place and had it boarded up. No one has entered that place since."

"So you're saying nobody's been in there since they boarded it up?" I exclaimed. "What about all his stuff? Did they take it?"

"No," he responded. "They had left the furniture alone, on sale with the rest of the house. When they decided to abandon it, they found the bed[?] and chairs soiled with mouse waste, so never bothered removing anything when it was closed up."

"Cool!" I declared. "So, if I were to go over there and check it out, I would find all this old rich-guy stuff?"

"I don't want you going over there, Edward!" my father suddenly retorted, looking me straight in the eye. "The floors in there are probably all rotted through by now, with all this town's constant rainfall. I do not want you breaking your leg or arm or anything else. Do you understand me, Ed?"

"Yes," I groaned. "I understand."

"Good." The discussion was over. My father resumed eating.

"Besides," my mother said, entering the conversation, "there are probably rats and mould in there. I don't want you getting bit or infected with some disease."

I was not listening to my mother. The mansion held my attention. One way or another, I was going to step foot inside that building and search to see if anything interesting lay within.


That night, as I lay upon my bed within my new bedroom, I dwelt upon the decaying house and the mysterious dissappearance of Efimovich Velikovsky and his servants. I could not comp[?]rehend as to how several people could disappear suddenly without a trace as to where they went. If they had left intention-ally, why had they not told a soul as to where they were headed? And if they had met sinister fates at the hands of human malefactors, why did their bodies or physical evidence not turn up?

I continued to ponder these questions, when something caught my eye. A light. A bright one. Coming through the window beside me. I turned, looked out, and witnessed a sight which filled me with awe and fear.

Outside, across the street at Velikovsky's derelict mansion, green light escaped sections of window that escaped concealment from the wooden boards which were nailed in place, illuminating the front yard and interior of my bedroom. It was not a fire. It certainly was not a flash of lightning. It was very eerie.

I had to know what was causing that light.

I got out of bed, quickly changing into my discarded clothing. As I had my shoes tied in place, I pulled up the window, slipped through out onto the cool autumn grass, and made a sprint toward the decrepit house. As I touched upon the front lawn of Velikovsky's old place of habitatione, the eldritch green glow dissipated, fading away to nothing. I entered the threshold of the front door, and stopped. Surely the light had been cut off because whomever, or whatever, had been generating it had sensed my approach. I briefly considered heading back; yet I would then never learn the secret of the light, and my curiousity would remain unsatisfied.

I moved away from the door to the side of the house facing west, searching for a means to enter the decaying structure. From one look I knew that, despite their age, the boards across the windows would refuse to yield to attempts at prying them off, so I sought to find a window with few obscuring boards; to allow me a chance to squeeze through a large enough possible gap. I soon found such a window. After a number of strenous tries, I finally wrenched the pane open, and crawled through to the inside. I dropped inside, and found myself within a servant's old bedroom.

I could tell that the little room had once been a comely little dwelling in the past. Yet the years had not been kind to it. The once-white wallpaper had peeled and become stained a hideous yellow from moisture. The ceiling, which had once been coated with a layer of rich blue paint, had turned pitch black from build up of mould caused by water leakage. The dresser at the left of the bed had rotted, and the legs had collapsed sometime ago. The bed had decayed and becoming a breeding and spawning ground for vermin, with the carpeting beneath me dirty a covered with stains.

Disregarding the decaying bedroom, I walked out the open door, into a large, long hallway; it was as run-down as the room I had just departed. Yet there were large, dust-covered, mirrors placed upon most sections of the walls.

"Come on, Ed," I said to myself, "what are you looking for? There's nothing here but cobwebs and a lot of dirty mirrors." Yet I decided to act against my inner unease, and continue to search the depths of this dismal house that at once had been a home.

I walked through this corridor, past the doors beside me which had curiously been left open, til I came to the end. Here also was a door; a closed glass door. I slowly and cautiously wrapped the fingers of my right hand around the greasy doorknob, twisted it to the right, then pushed it open and stepped through the dark doorway.

I found myself in a cavernous room, completely unlike either the bedroom or the other rooms I had viewed through their open doors. The room was massive, the size of a theatre's interior, the floor, walls, and ceiling made of massive stone blocks mortared into place. A titanic wooden staircase led from the open doorway to the depths of the distant floor. There were no windows.

"What was this place for?" I proclaimed, speaking to no one.

I decided to explore this unusual room further, in hopes of finding something of possible interest. I put my right hand down along the old wood stair rail, and began to make my way carefully down. The stairs creaked loudly as I made my way down, swaying slightly to and fro. In fear that the wood was unstable, and possibly close to collapsing, I eased my pace downward. After an eternity, my feet finally touched down on upon cold grey stone; I had survived the descent.

I began to pace about the room, searching for anything that would have provided to me an answer as to the purpose of this pseudo-basement; yet the thick dusty air made progress difficult, and the miserable lack of light prevented me from truly spying anything of value to my cause. After I met with futility, I decided to leave this cold room and make my way back to my warm bed, and turned toward the flight of stairs. As my back was turned about, the room was suddenly bathed in a brillant green light, emitting from a source behind me, opposite the wooden steps.

I spun around, to the distant wall. Only it was not a wall, but a glowing doorway into another world.

I could see clouds within this green dimension, swirling corpse-green cumulus clouds, these clouds obscured to me any ground their may have been beneath them, yet above them, in the far distance, I could see the apex of a tall mountain, a foreboding castle built upon it. To my horror, ghostly figures swirled out of the clouds, heading to-ward me.

"Oh man!" I exclaimed, terrified. I froze.

I watched as the ghosts flew up to this bizarre window into their dimension. I made out their horrible evil appearances, with their sunken eyes and their hollow cheeks. Their arms were emaciated, their clothes rags. They came to crowd at the entranceway, but I could see that they were unable to exit their universe. I saw soon another spirit come rising up out of the writhing clouds, wailing as a banshee. This spectre joined its brethren, pressing up against the doorway, as if it were but the glass of a window.

This ghost was as cadaverous as were its kin. Yet he did not possess his aura of malevolence; indeed, he appeared traumatised, as if trapped within a waking nightmare.

"Please, have mercy on me!" the ghost wailed. His voice was heavily accented, foreign, unfamiliar to me. "I am Efimovich Grigory Velikovsky. I have been trapped here,for too long, terrorized and tortured!"

I knew then that this was the former owner of this sinking dwelling, the Velikovsky which had disappeared so many decades before my birth.

"I was a magician, a sorceror from Russia, before I moved here to the United States," he continued. "I tried to hold a seance, to contact the spirit of my grandfather. By accident I opened a tunnel to the Other Side, and dragged here along with my servants into this abysmal place by the evil dead.

"My magic is useless here. You must save us and bring us back to Earth, child!"

I was dumbfounded. "How?" I asked once I found the words. "Do I have to go in and get you out?"

"You cannot!" the spirit of Efimovich Velikovsky proclaimed. "Only blood can free us from this Other Side."

"Blood?" I

"Only blood can free me!" Velikovsky declared. "Return to me with blood, child! Free me. Save my soul!"

At that, the entranceway sealed shut, and the wall returned to being a wall. At that point I blacked out, and remembered nothing more.


The next mornin I awakened the next morning within my own room, within my own bed. Though it seemed as a dream, I knew the events of last night had truly occured. I had seen through into another world. I had spoken with the ancient Efim-ovich Velikovsky of Russia who had vanished without a trace several decades ago.

Outside my room, a knock sounded upon my door. "It's time to wake up, Eddie," a voice cooed. "School starts today."

"Yes, Mom," I replied. I got then up out of bed, and prepared myself for school.


The day at school went by in a blur. My new teacher, Ms. Campbell-Smith, had me introduced to my new class-mates before I was seated at a desk. I payed little attention to the lectures of Ms. Campbell-Smith, and did little work; I concentrated on Efimovich Velikovsky and on my plan to free him. In little time the school hours were over. I left the building, breaking into a run.

He said only blood could free him, I thought as I ran. I hope the doesn't need to be fresh blood, or human blood. Maybe it can be any type of blood. From anything.

I came to the local supermarket. There, with the money I had, I purchased a large piece of lamb meat soaked with blood. In an following half hour, I arrived at the old home of Velikovsky. Taking precautions to ensure not a soul witnessed my prescence, I stole into the house via the bedroom window. Making my way [?]through the bedroom, down the hallway to the open glass door, I entered the stone room, clutching the paper-wrapped hunk of meat as I made my way down those unstable wood steps.

"Hello?" I called out as I came to the floor, beginning to shiver from the intense cold of the rock walls. "I came back. I have some blood."

As soon as the word "blood" was uttered, the doorway to the Other Side blossomed open. I saw the swirling dark-green clouds; the green sky, and the writhing spirits of the evil dead. I saw also the form of Efimovich Grigory Velikovsky, floating before the gateway's threshold. He looked different somehow; his eyes, once troubled and weary, now shone with a menacing gleam.

"What is that?" Efimovich Velikovsky hissed out from the Other Side at me, his watery eyes falling upon the meat in my hands, voice dripping with malice. "I asked for blood, boy!"

"T-the meat is covered in blood, sir," I stuttered, intimidated by the commanding spirit before me. "I didn't know where to get blood all by myself."

"Fine, fine," the Russian growled, growing frustrated with the conversation. "Bring what you have over here, and place it before the gate."

I quickly did as he commanded. I unwrapped the package of blood-soaked lamb, and placed it upon the floor centimetres inches from the blriliantly glowing doorway.

"Excellent work, child," Velikovsky bellowed, a sinister smile crossing his withered lips. "Now, boy, recite words." The ghastly ghost uttered a long stream of Russian words, all of which were just so much gibberish to me. "And get the words exactly right!"

I decided to do as he wished. I began speaking aloud thore unfamiliar words.

"Yessss..." Efimovich Velikovsky hissed, rubbing his skeletal hands together.

I continued to proclaim the incantation, struggling to pronounce the foreign words.

"Go on!" the ghost shrieked, appearing more-and-more ghastly.

I recited the final words.

At that, there was a terrific explosion; and a shock wave of powerful force lanced out and collided with me. With a cry I was yanked up off my feet, pushed back, crashing into the bottom of the wood steps, shattering them into fragments. In intense [?]agony, I forced myself up into a sitting position, my eyes falling back upon the doorway into the Other Side,. The doorway was shimmering, pulsing and heaving like some grotesque lung. The ghosts in the other dimension, including Efimovich Velikovsky, howled with demonic laughter.

"You pathetic fool!" Velikovsky laughed, throwing a gnarled finger out at my direction. "You have doomed yourself!"

"W-what?" I questioned. "What do you mean?"

"I lied to you, brat!" Velikovsky roared. "I was not forced into this world! I came here of my own free will, dragging my servants along with me. I allied myself with the gods of this place, searching for immortality. They gave me my desire. But at a price."

I sat froze.

"To remain, sacrifices must be made. Human sacrifices!"

With those words, Efimovich Grigory Velikovsky began to push his way through the barrier of the doorway. As he emerged into this world, his body began to rapidly age. His hair turned white and fell out as his eyeballs shrivelled into raisins and vanished into his eye sockets. His skin turned green, brown, then peeled off to expose muscles that dried into black tissue that broke off with his movements. His innards and clothes disintegrated to dust as his gleaming white bones grew grey and ancient. What had once been Efimovich Grigory Velikovsky stood before me, a towering living skeleton with eyes sockets burning with an inner fire; the ghoul opened its skeletal mouth, and issued an inhuman roar.

Horrified, I began to plot my escape; the ghoul was free, and it would only be a matter of time before the other ghosts from the Other Side came through following it. Should I leap for the stairs, the ghoul would quickly overtake me in a few short seconds. I had little hope of fleeing this nightmare.

My eyes then fell upon the wet meat laying on the floor to the left of the ghoul.

"Prepare yourself, rat!" the skeletal ghoul spat, pointing a twisted claw of a finger toward me. "Rejoice in the knowledge that you will be the first in many sacrifices to come!"

Without a moment's hesitation, I got to my feet, and sparang forward; I dodged past the ghoul, and threw forward my right foot. With a wet plop, my toe connected with the slimy lamb, and the chunk was thrown forward; the meat passed through the turbulence that was the gate, soon dissappearing from sight as it fell into the wispy green clouds.

"NOOOOOOOOO!" the ghoul cried, shrieking in absolute horror. "The blood! The blood maintains the connection to this world! Without it, the dead cannot come and I cannot remain!"

With that, a hidieous wail escaped the ghoul's lipless mouth. It was a scream of the dead dying. I looked glanced toward the doorway into the Other Side, watching as it collapsed, shrank.

The hellfire went out in the ghoul's sockets, growing black as the tomb. Life escaped those unholy bones, and they seperated, falling apart and tumbling into the vanishing doorway. The door leading into the Other Side slammed closed, and the bone fragments exploded, shattering into a million infintisimal particles.

To this day I cannot forget the events of that day. I still remember the face of Efimovich Velikovsky; before and after he transformed into the hideous skeleton ghoul spirit. I still remember the demonic ghosts which resided on the Other Side. I still remember the swirling green cloud formations, and that evil castle on top of that distant mountain top. I think about the Other Side, and I wonder:

What if something on the Other Side comes through?


The End

27 January 2021

Friday the 13th Reimagined


A project I've long wanted to tackle is a reimagining of Friday the 13th. As a teen, I was a big fan of the series, particularly of the first five entries. As I grew older, I came to realize the series … wasn't good. The original is very likely the best, and it's still only a cynical cash-grab designed to capitalize off the success of Halloween. Still, I believe the bones of a good horror story are present beneath the fat.

My reimagining of F13 would be a tetralogy, a period piece spanning the '80s. Right from the start, Jason Voorhees would be established as a supernatural being, having drowned as a child in 1957 then returned to life a year later, corrupted into a psychopathic killing machine with enhanced strength/regenerative capabilities by a dark force living within Crystal Lake. Jason would be the primary antagonist for the first half of the series, then he'd be killed and replaced by Tommy Jarvis, who'd become possessed by the evil which inhabited Jason.

Friday the 13th 1980

Set in 11-14 June, 1980. A mashup of Parts I & II with a few elements from III, greater emphasis would be placed on characterization, particularly Alice’s, who'd be revealed as a single mother who abandoned her 3-year-old daughter to the care of her parents to start her life over. The primary antagonist would be Jason. Crippled by social anxiety, Jason would be incapable of assaulting anyone able to see his face, restricting him to stalking and sneak attacks. Only after obtaining his iconic goalie mask would he become the aggressive predator we're most familiar with. The secondary antagonist would be his mother, Pamela. She kept Jason in isolation since his resurrection, doing her best to protect him and others from him to diminishing returns. The film would finish with Alice setting fire to Jason and the Voorhees home, Pamela’s decapitation, and a depressing twist ending.

Friday the 13th 1984

Set in/around 13 April, 1984. A mashup of Parts III & IV. Rob would be reimagined as Alice's brother.

Friday the 13th 1985

Set in/around 13 September, 1985. A more-or-less faithful remake of A New Beginning. Most of the patients at Pinehearst would be deaged, including Tommy, who'd only be a year older than he was in the preceeding chapter. There'd be more scenes focused on Tommy, his mental deterioration, and his growing rapport with Pam. Roy wouldn't be the killer, but rather the director of Pinehearst, Matthew, who'd be revealed at the end as a sadistic psychopath who'd abused a number of kids in his care and had decided to advance to serial murder, using Tommy's past with Jason as a cover for his crimes.

Friday the 13th 1989

Set in/around 13 October, 1989. Tommy, now fully possessed by the evil he inherited from Jason, would return to Crystal Lake, renamed Forest Green in the years after the murders. Pursuing him would be his sister, Trish, who'd be desperate to find him and free him of Jason’s curse. She'd meet Elias Voorhees, Jason’s father, who'd reveal the truth of Crystal Lake to her, of the evil within the lake which corrupted Jason and moved into Tommy following Jason’s final death. He'd offer her the key to freeing Tommy, but there'd be an ulterior motive for his help; he'd believe Jason’s spirit lives on in Tommy, ready to return to his original body, which Elias secretly saved from cremation and had buried in a secret plot….

30 July 2020

Lazarus Tower

One of eleven surviving short stories/novellas I wrote in a roughly five-year period (2004-2008).

In comparison to the last three stories, "Lazarus Tower" is a downright competent story. It's still bogged down in purple prose, but at least it isn't overwhelmed by sexism/antisexuality. It's essentially Poe-Lite (or Poe-Lite-Lite), making it ... digestable.

"Lazarus Tower" was written at the tail-end of my prose writing period, making it one of my final prose works. Paradoxically, it's the only one existing in fragmentary form; the ending is missing.

Original spelling mistakes, grammatical errors, omissions, and alterations have been preserved for your reading pleasure. Where the original text is missing, a descriptive summary has been substituted.

* * *

"I AM THE RESURRECTION AND THE LIFE; HE WHO BELIEVES IN ME, THOUGH HE DIE, YET SHALL HE LIVE, AND WHOEVER LIVES AND BELIEVES IN ME SHALL NEVER DIE."

It was those words, from the eleventh chapter of the Gospel of John, that I had had engraved into the surface of the silver plaque, which I had placed above the door frame which led to the staircase that climbed stretched the length of the tower to the sole chamber above; I had thought that whenever we climbed those steps to the apex of the tower, we departed the living death that was existance on Earth, brought to true life when we reached the top, and could step out onto the balcony, brought closer to heaven. Despite the rich colour and the resistance to the actions of time's progressions, I had declined to fashion the plaque from gold; Gold had always seemed to me a boastful metal and colour, full of pride for self, lacking in soul what it did not lack in its power to allure the eye. Silver, however, was far more a mute substance, a humble metal; while its colour attracted, it held not the gaudy intense awfulness terror of its rival, and its sheen clouded in time, obscured by tarnish, while the pride of gold keep it from accepting the slightest morsel of humility and submitting itself to the forces of change. I made the plaque in honour of her, to commemorate the complesion of the building's construction; she was like silver to me, beautiful, yet humble, willinging to trade her outer beauty for the lines and wrinkles of age when the time eventually came without a fuss, avoiding the lusts of vanity and pride, refusing to consider any attempts to obscure her changing features as she came steadily closer to old age. Those words inscribed upon the plaque were in honour of my Lord, who had blessed me with the love and company of my darling Suzanne.

For the first eight years following the complesion of our home and the wedding that followed I kept that plaque shined, keeping the sheen like that of newly molded metal, in remembrance of my gift. After the event in the tower, however, I contined the upkeep no longer; as the years passed, the silver lost its brillance, and grew the dismal flat grey of ashes.

I shun the tower and its uppermost solitary chamber, as do I the entrance that comes before. At the best of my ability, I avoid areas that take me to close proximity to the door and that accursed plaque. I sleep no longer in our original marriage bed, which now remains many decades cold from emtiness, and have taken residence within a former guest room at the far end of the mansion, opposite the door that stays locked, that leads up a sole flight of stairs to a sole room which in turn only opens out onto a balcony, from which the tops of the buildings nearest to us can be seen. I spend many a night awake; when I do rest, it is in unease, with many an unpleasant dream attached.

As of this moment, after a period of several lengthy years, the door to the tower stands unlocked, and open to me. I sit now within the comfort of a large leather-upholstered chair, trembling in fear, my eyes fixed upon the doorway which opens out into the cooridor [?]t which's end stands the open door. Before it is too late for me, I will tell you the whole story, from the beginning. Everything is clear to me, every memory vivid in my mind's eye. I will recall all with complete accuracy. This is not the insane ram-blings of a man driven to madness by guilt and shame; this is the truth.

I was born Steven Edward Queene to Edward Sameul Queene and Melissa Johanna Queene, a rich English couple which owned a series of textile factories, in the city of London, April fourth, 1861. Cursed with ill health at a young age due to the fiflthy air of the city, I was sent away to live with my uncle Richard Milton Queene, in the United States of America, Maine. Unlike my parents, who forever remained frigid toward me, Uncle Richard was a kind, loving soul, who lavished me with gifts and affection through-out my younger years, spoiling me rotten in the process. I remained in America for the remaining majority of my life; I communicated scantily with either my mother or father through letters, and I made only two return visits to London, both in the wake of their deaths.

I met the young poor Suzanne MacAdams in the summer of 1884, at the age of twenty-three. Around my home had been a large section of forest, a thick nigh-on impenetrable growth of trees, the only traverable ground a featureless path worn into the earth. As a pastime, I fregquently enjoyed walks in the woods, making my way steadily on the path, observing the unspoiled nature about me. It was on one such walk that I came upon a still form, lying tangled in the foliage. At first, I had not a clue as to what I was seeing; I krept close to it, making soft steps as I neared, until I was close enough to know what I was looking gazin upon.

It was a young woman, at an age in no way significantly different from my own, beaten and bloodied, her clothes torn and much of her body exposed to me; she had been abused violently, visciously raped, then [?]left for dead by the animals which had committed the horrid crime. She was still alive, a fact I knew from looking upon the rising and falling motion of her chest.

With great care, I took her up in my arms, and make the journey back to my home. As I forced my way inside, the weight of the girl in my arms, I called out to the servants for assistance. They came, and ushered her to a warm bed, retrieving at my request towers and water to clean her wounds; I sent away immediatly for a doctor. In time the medical man arrived, and examined her; he found fractured ribs; internal bleeding, and a concussion amongst her injuries, and informed my that though the damage done was severe, it needed not the attention services of a hospital; after that all she truly needed the most was considerible rest; after setting her broken damaged bones, he departed.

Needless to say, I was present at her bedside when she first regained consciousness. We explained to each other the circumstances which led her to this bed, before she returned to the land of the unconscious She grew stronger as the days, weeks, and months passed by. We became fast friends; holding conversations together between us. When the time came arrived when she had recovered fully from her ordeal, she proceeded to leave, to return to homeless-ness, to prostitution. I refused her exit; I had fallen in deep love with her.

As she had with me.

She stayed there. She kept her room. I bought her clothes, suitable for her and her generous nature; as well as aquisitions which suited her fancy. Uncle Richard oppossed her prolonged stay, however, as she had been a prostitute and my uncle had been slow to forgiveness. He came to accept her prescence in time, however, and learned to love her as an additional member to the family.

We stayed together, Under Uncle Richard's roof, for four years; we had not come to know each other intimately yet, as I was saving myself for marriage, and she had come to reproach the caresses of others.

In May of 1888, I made a proposal of marriage to her. She accepted. the May of the following year, we got married. Our daughter, Lauren Emily Queene, was born to us nine months later. The years On her first birth-day, construction began on our new dream home; the foundation was layed in the city.

I personally designed the house. Using knowledge I had obtained about engineerin construction, I drew the sche-matics for the building. The tower was meant for my wife, for Suzanne. Her own small paradise, a place where she could look out, and gaze upon the whole wide world stretching beyond. It was for her. Only for her.

It all went wrong few short years later, when she began having an affair with Chester Arnold Keaton.

I do not understand how, why, it occurred. I cannot explain it. She became withdrawn, no longer confiding with in me. She began to send time away from home for hours at a time. She claimed to only be going on walks, to escape the atmosphere of the mansion. A resonable explanation, if not for the unrealistic amount of time yet I could sense something amiss.

I began to suspect the existence of the affair when in contact with the Keatons, as I witnessed the looks of un-easiness that they exchanged. The existence of this affair was confirmed when I spied them together, on the bed within a guest room, her atop her under the sheets, grasping and squeezing her body. They failed to spot me. I stole away to another area of the mansion, well away from their act of adultery. I wept then, shfting cries of anguish and morose melancholy, able only to thank God that Lauren was away at school, unable to ever witness the abom-ination that was proceeding under the roof of his very own home.

I never revealed my knowledge to her, though I began to suspect that, within her, she had come to know that I knew of the affair. I grew morose, and no longer spoke to her. I was angered, yes, but more than anything truly saddened. Our marriage was over, figuratively if not literally. Yet I continued to love her. To the last second together, I continued to love her.

It came to a climax on October seventeenth, 18[?]3 1900.

Ever since the complesion of the house, I had never took a step into the tower without her permission, as the tower had been for her, only her. Yet with my happiness gone, I disregarded wthis unofficial rule, seeking comfort in nostalgia. I came to that door, and, taking one, sorrowful [?]glance up at the tarnishing silver plaque above, I turned the knob counter-clockwise, and pulled the door open. I stepped past the threshold, clos-ing the door behind me, proceeding up the staircase at a leisurely pace, my left hand upon the varnished ebony banister. I soon came to the door which would lead into the tower's single chamber. I twisted the knob, swung open the door, taking a step within.

There, standing in the centre of the opulent room, were they! Keaton and Suzanne!

I had passively detested their horrid affair, and had avoided violent confrontation up to that point. Yet here they were together in this room, in the tower, the physical manifestation of all the love I had ever and would ever have for Suzanne. It was a travesty. It was a blasphemy! It was a desecration, a violation, of this shrine I had designed in the name of my love for her, to have them, him, together here to fornicate! This freakshow would end, now!

I dived forward, taking a heavy oak chair into my hands, bringing it up over my shoulders. As Keaton started, turning to me, I brought the solid wood down upon his cranium.

Suzanne had begun to regain her consciousness as I completed tying the bonding of Keaton's bloodied corpse to the same chair I had slain him with. Her eyes fluttered open, and muffled cries attempted to escape her gagged mouth as she became aware of her own bonds keeping her secured to her own solid oak chair.

I turned my gaze to her, sorrow clearly etched upon my features. "I've known, Suzanne. I've known for some time now. You shouldn't have come up here. Not with him."

A series of muffled outcries were uttered as she began to rock forward in the seat of her chair. I stepped away from the limp form of my dead rival, a crossed the room to the twin glass doors that opened up on the exterior balcony beyond. I twisted the knobs and pulled the doors toward me, opening them, causing a brisk gust of wind to be drawn inward; I quickly pulled both occupied chairs to the open doors, positioning them at the [?] threshold, affording my Suzanne a sight of the beautiful, brillant sunset.

"I love you Suzanne," I uttered, placing a final kiss upon her forehead. "And I always will."

Her groans and writhings ceased. Within her eyes I saw a grim understanding. As well as an form of pleading in her eyes, not for her life expression I could not read.

I departed, taking not one look back, and closed the door behind me. I locked it, shambled down the echoing steps, then stepped out once again. I closed the door, pushed the key into the keyhole, and turned it, a resonating click hit my ears. I would never see that door open again until a number of decades later. decades passed.

I had told Lauren that her mother had left, and that I did not know where to.

For reasons I cannot define, the buzzards never gathered at the top of the tower to devour the rotting flesh which they surely should have had easy access to inside.

Six Decades have passed, and I am now an old many of ninety-five. Lauren is sixty-six years old, married to a Joseph Andrew Arquette, and has had two children: Edward Solomon Arquette — twenty-six, David Emil Arquette — twenty-four. Edward in turn has a daughter: Maria Lauren Arquette, who is twelve, and possesses an unfortunate taste for that ungainly "Rock & Roll" pseudo-music. I have one daughter, two grandsons, and one great-grandaughter.

I continue to live in this decaying mansion, despite Lauren's misgivings, cared for by servants as if I were but an infant. I am a feeble ancient creature, mere dry parchment on a brittle frame, slowly decaying. Only my mind is still alert, still alive. I am aware that the lock unlatched itself, without a human hand's touch.

She comes forward now. She is not how I imagined her. As a putrid, bloated corpse with green skin, blisters, and writhing maggots spilling from empty sockets. As an animate skeleton, clad only in decayed rags. She looks much as I do. An emaciated frame, brittle bone covered over with mummified flesh, relatively intact dress discoloured and fragile from age and rot, her hair dry as straw and devoid of its former sheen.

Her eyes, round glassy orbs, which I expected to be filled with loathing and rage, possess instead sadness, regret ... and love.

A grasp the left armchair with my arthritic talons, uttering a large gulp of panic. "I-is your lover with you, Suzanne?"

[Suzanne informs Steven that she has come back alone. She then explains to him that on the day he confronted her and Keaton in the tower, she hadn't brought Keaton there for a tryst, rather to break off their affair and rekindle her romance with Steven. She then tells him she harbours no resentment towards him for killing her. Steven then dies. Later, Steven & Suzanne's bodies are discovered later by family members, curled up together on the floor. The end.]

29 July 2020

George Lowell's Last Stand

One of eleven surviving short stories/novellas I wrote in a roughly five-year period (2004-2008).

The sequel to "The Crone-Maiden", it's just as pretentious and antisexual. To add injury to insult, there's a heaping shovelful of sexism on top of it. I never identified as an incel, and didn't even know the term at the time, but this story has all the tell-tale signs of underlying resentment towards beautiful women.

Original spelling mistakes, grammatical errors, omissions, and alterations have been preserved for your reading pleasure.

* * *

This is it. Tonight will be the seventh night. She will come, she will knock, she will ultimately force her way within to get at me. Tho-ugh I am severely weak, I will resist her power; I will make my last stand.

Her name is, or, perhaps I should say, was, Maria Cortez-Rodrieqez, a woman who is, and was, a woman of low moral fibre, a flirtatious brat of a female with vile thirsts and vile partners. Men desired her body, and she willingly gaze her body to them, allowing them perimission to perform any obscene sexual act upon her which they wished to utilise. Her darkness, her amorality, or perhaps immorality, her utter disdain for the male sex and chastity both, attracted the unearthly entity which came and took her soul as its own.

At some point in the recent past, something crossed over from a location unreachable to us to our world, from beyond our very universe,. At some point it found Ms. Cortez-Rodrigez, returning from her night shift at Escher Pysychiatric Haspital, and entered her physical form itself, possessing it, and obtaining complete control. It found, more or less, a willing host in this physically attractive Latino woman, whose dark thoughts were apparently not at odds with its own. Whatever its initial goal upon reachingEarth was, I believe that agenda concern has possibly been already taken care of.

For unknown reasons, she began to attempts to seduce me.

Ever since I had lived within this apartment complex I have known her, since she is my neighbour; however, I am of physical traits substandard, below her taste rin regards to masculine physical charms, and she had never before expressed an interest in me. Yet now she had begun to flirt with me, to speak in of risque subjects in seductive tones, put light touches upon me, and flaunt her body suggestively to me in revealing items of clothing. Regardless of her advances, I denied her. She had had no power over me. She would not have any power over me.

If I had not gratified myself, alone within the privacy of my ch-ambers with her in my thoughts.

I am but a mortal, sinful man, imperfect and always short of true glory. I had vainly resisted physical fornication with her, but I had not seen mental sexual congress and immoral or detestable. Yet as I climaxed that first time, in my mind's eye I saw her elegant features twist into a grotesque [?]alistic sneer of triumph, and I knew she had won; I was hers, I had lost, and I collapsed in sudden weakness. The next night commenced with the first of the physical seintercoarse; she forced her way into my room, undressed, and I willingly caressed her smooth, shiny curves as she drained more of my life from me.

The sessions of sex continued with each night. And know it is the seventh. I will die if she is penetrated once more. So, with my last vestiages of strength, I have retrieved the shotgun and shells from my bedroom closet, and now wait here at the end of the hall, opposite the main door, the barrel levelled. I now hear a loud rap upon the wood, a husky address, then more raps upon the door.

Suddenly, the door is forced in, and a sexy Latino woman bounds in, pulling open her nuse's uniform to exposed round, voluptous breasts.

I pull back the trigger, and her head disappears in a red mist.

The End